Writers need to read. Playwrights need to read plays. What writers & ‘wrighters do is enter into a discussion not only with their audiences but with a history of existing and surviving work. Some writers claim that they steer away from the works of others, but that just means that they are entering unknowingly with their work into discussions with the advertising and propaganda of the day. (For advertising and propaganda employ story technique on a hyper scale.) Ignoring the work of others potentially dooms you to repeat the worst of it.
As a professional playwright sometimes you can be engaged by a theatre company to deliver script reports that the literary department cannot conceivably cover via its own, usually minuscule, staff. The pay to deliver a report is fairly modest, but I can assure you (if you’ve ever submitted your script to a theatre company and you’ve wondered what happens) that every script reader I’ve met wants to find a play they love.
In terms of writing up my reports, I’ve tried to follow this process for a number of years now with these questions. Continue reading “What happens when I read a play”