I’m back, a few days later than I promised, following my latest child’s birth (which was amazing, thanks very much.) I’m planning months’ worth of playwriting and screenwriting blog posts and would love to hear from you if you would like to know about a specific element, or my thoughts upon them. I will consider them during nappy changes. Honestly. (What else is there to consider?)
In the meantime, why not watch a few playwriting YouTube videos? Personally, as academic as it is, I lurve what playwright Paula Vogel has to say. You’ll learn more in the first 20 minutes of this hour-long video than you would binge-watching any series for several days.
It’s only had around 3000 views at time of writing. Let’s try to get more on board, shall we?
Don’t forget to keep in touch: email@example.com
Photo credit: by Janko Ferlič on Unsplash
You may have been reading my blog for sometime, or you’ve found me through a relatively random search.
However you got here, hi. You probably enjoy writing plays – or you enjoy the thought that you could write a play.
I’ve been teaching playwriting – as well as working professionally as a playwright – for a number of years now and recently started teaching** playwright clients via Skype in the US and UK after my recent move to Melbourne, also working with playwrights face-to-face here.
I can confidently say that if you enjoy reading my blog posts then, working together, I can give you personal, practical and targeted advice that will help you write your play.
My preferred process is to work with clients over 8 weekly sessions of around an hour to an hour and a half. Some writers prefer a maximum of 45 minutes. And after the 8 weeks is up, we can decide together whether we think there is more work to do or if the play is ready to fly. Or be posted. Or e-mailed. You know what I mean. Continue reading “Writing your play with my help – your words and my guidance”
Story of the Red Mountains, commissioned by NIDA, premiered at Sydney’s Carriageworks in 2012. Tom Healey introduces the play, now available for download.
It’s a play dear to me for all sorts of reasons. I got to work with the wonderful Anthony Skuse during its development with second-year NIDA students. The production gave me the chance to reunite with director, Tim Roseman, with whom I had worked with on productions at Theatre 503.
Set on the night of the referendum to ban communism and anyone “who may become a communist” in Australia, 1951, it’s a large cast play, juggling hope, politics and violence. (Does this dynamic ever go out of fashion?)
I’m extremely pleased to share the news that my play, Keith, will be one of the plays featured at this year’s National Play Festival at the Adelaide Festival Centre in Australia. Playwriting Australia’s annual event really is on the bucket list of every playwright born or living in Australia.
More information about the Festival, the other plays and participants can be found here: http://www.pwa.org.au/npf-2015-homepage/